Robert Cain brings a unique background to profit participation and AI likeness litigation cases. He has 35 years' experience working inside the film and television industry, as a studio and guild executive, producer, consultant, investment banker, and screenwriter, with the finance, M&A, and deal structuring background to read the economics as well as the creative. He has acquired, managed, and sold film and TV libraries on behalf of major studios and for such private equity players as TPG and Providence Equity. He has also concurrently spent 8 years in the Artificial Intelligence and Machine Learning fields, co-founding and building companies focused on AI biotechnology, AI media creation, and deep tech semiconductors for AI data centers. He has negotiated major labor agreements with SAG-AFTRA, the WGA, the DGA, the AMPTP, IATSE, and AFM. He has been retained as an expert in eight entertainment litigation matters, and has provided Right of Publicity, breach of contract, profit participation, and valuation opinions and analyses.
In addition to his decades spent in Hollywood, Rob has also spent a substantial portion of his career living and working in China, Russia, Canada, the United Kingdom, Italy, India, Singapore, Taiwan, and South Korea.
He is uniquely positioned to supply the industry judgment that makes the number credible: what's customary, what's reasonable, what a project should have earned, and what a likeness is worth.
Lynwood Spinks is former President of Production of Carolco Pictures, former EVP Production of Universal Pictures, and co-founder of Relativity Media, a film financier and studio operator with more than three decades in the motion picture business. He has developed and financed film projects valued in excess of $4 billion, and arranged and managed over $1.5 billion in slate financing for Marvel Studios, Sony Pictures, and Universal.
His work runs from single-picture, non-recourse production loans to structured equity and debt funds for entire studio slates, and includes evaluating film libraries and companies for acquisition and sale, building financial models and business plans, Chapter 11 workouts, union negotiations, and international co-productions. It is exactly the finance, library, and valuation depth a profit-participation or valuation dispute turns on.
He has overseen production, pre-sales, and financing on pictures including Terminator 2, Basic Instinct, Cliffhanger, and Stargate, and served as executive producer on titles including Passengers, 3:10 to Yuma, Ghost Rider, Vantage Point, and The Forbidden Kingdom. He holds a JD from Harvard Law School and has been a member of the Academy of Motion Picture Arts and Sciences since 1991.
Who we work with
We're engaged by plaintiff- and defense-side entertainment litigators — to build an affirmative damages and industry-custom opinion, to rebut an opposing expert, or to give an early, candid read on a matter before anyone is retained. We work alongside forensic accountants and trial teams, and we're equally at home in arbitration and in court.
Tell us about the case. We'll give you a straight read on whether we're the right fit — before anyone is retained.
Request a consultationrob@cainexpert.com · +1.310.663.8811